Abstract

Cultural studies of recent memory tend to cling to love and find a certain answer from its musings. This critical move proceeds from various interrogations of cultural or cross-cultural practices towards adapting a linear progress so that love is tasked to provide an antidote to contemporary social maladies. This critical paper, however, attempts to appraise the idea that love is not a panacea, especially in a setting where theory is fragmented and assumes almost definitively a dead state. Instead, love functions as a specter that haunts a post-theoretical culture. The paper hinges this take from contemporary thinkers whom Nicholas Birns points to as “theorists without ‘theory’.” As such, the spectral concept of love is explored and critiqued in the lens of Judith Butler and Giorgio Agamben – both thinkers taken as separate and together – as a subversion to its affirmative theoretical standing and as a proposal on how its spectrality can inform the possibilities of its function.