›Une sorte de remontée vers le corps‹. Skizze einer Ästhetik der körperlichen Responsivität im Ausgang von Roland Barthes’ Überlegungen zur Pseudo-Schrift

Kodikas/Code. Ars Semeiotica 37 (3/4):249-260 (2014)
Download Edit this record How to cite View on PhilPapers
The sensory dimension of writing, which is never fully neutralised in the process of semiosis, remains aporetic in Derrida’s philosophy. I show how Barthes’ observations on pseudo-writing lead to his understanding of writing as a gesture, opening up post-structuralism to the body as absolutely non-repeatable, as the opposite of semiosis. The examination of Barthes’ account of the relationship between writing and the body leads to an aesthetic of physical responsiveness, which challenges the distinction between work, creator and viewer. In this regard ‘seeing’ can neither be reduced to the infinite decoding of signs nor to an immediate perception, but rather can be understood as the playful contact with signs. Barthes’ notion of writing contributes to overcoming the limits of Derrida’s account of the sensory quality of writing without jeopardiz- ing the philosophical gain of deconstruction.
PhilPapers/Archive ID
Upload history
Archival date: 2017-02-24
View other versions
Added to PP index

Total views
143 ( #37,404 of 2,448,868 )

Recent downloads (6 months)
19 ( #32,479 of 2,448,868 )

How can I increase my downloads?

Downloads since first upload
This graph includes both downloads from PhilArchive and clicks on external links on PhilPapers.