Abstract

This article reads Radwa Ashour’s Granada (1995) as a novel that examines the cumulativeness of trauma in Arab/Muslim cultures. It is representative of postcolonial trauma novels’ rethinking of the Eurocentric event-based model that lays the postcolonial question by the wayside. A barbed critique that links the colonial past to its postcolonial aftermath is thus leveled at the lasting aftereffects of a violent Western coloniality/modernity. By deploying the family trope, it recasts the undeterrable advance of Western globalism as the instigator of post-generational trauma. Ashour’s angst-ridden narrative especially laments the foreclosure inflicted on potentialities by the Western discourse of salvation in that the latter submits the Arab/Muslim Other’s attempt at conserving one’s legacy to processes of incrimination and obliteration. In view of her full awareness of the looming death that triggers her existential dilemma as an intellectual, Ashour insists on excavating the archive as an act of survival against external forces that threaten to annihilate her cultural heritage . By mourning the loss of al-Andalus , she therefore exhibits unwavering determination to lay bare the dark underside of a long and single history of Western modernity.