Abstract

The central dilemma motivating the Antinomy of Taste in the “Critique of Aesthetic Judgment” centers on two seemingly incompatible but generally accepted propositions: On the one hand, we demand (Kant thinks) that others agree with our judgments of taste, which would be nonsensical if we did not suppose that beauty were in some sense a property of objects; on the other hand, disputes about taste cannot be settled through argument or proof in the manner of theoretical or moral disputes, which suggests that we do not think of beauty as an objective property. Kant’s solution to this antinomy is to claim that judgments of taste indeed make use of a concept, but an indeterminate concept. I argue that judgments of taste are about objects [Gegenstände], and that the indeterminate concept of beauty differs from determinate ones in the manner of evidence that can be given for claims making use of it-- they can be supported only by the appeal to the subjective feeling of the harmony of the faculties.