Abstract

The problematic vagueness inherent to the study of being requires an approach that transcends the use of a methodology pertaining to solely one research area. In the following pages we will explore the categories of being, their metaphysical meaning and their interrelations, approaching them via heuristic methods that incorporate symbolic mathematical abstraction and music theory analogies. We will propose a monadic system for explicating how the modes of being interact with each other, also exposing a harmonic model of the universe derived from these hypotheses (Chapter I). The nature of consciousness and its properties will be investigated in Chapter II, followed by a research concerning possible internal self-adjustments of total-being-for-itself that might offer insights regarding the temporality and necessity of individual consciousnesses. The aim of this paper is to coalesce the categories of being (in-itself, for-itself, the Others) into a comprehensive system that could account as a unified ontological model compatible with inferences related to phenomenal manifestations.