Abstract

Kant's emphasis on the aesthetic idea permeates the judgment of beauty and the creation of beauty. This paper argues that both natural and artistic beauty are concrete expressions of aesthetic ideas. Regarding natural beauty, the subject appreciates the natural object through a dual grasp of the aesthetic normal idea and the rational idea. Regarding artistic beauty, the aesthetic idea can make the rational idea sensible, allowing the subject to derive aesthetic pleasure by reflecting on the aesthetic representations of rational ideas. Moreover, genius as a natural gift is capable of giving rules for creating artistic beauty, in which the spirit realizes the universal expression of the aesthetic idea. In Kant's framework, the combination of taste and genius provides a context for reflective judgment, which can thus be reconciled with the “free play of the imagination and the understanding.” In this way, the aesthetic idea embodies the dual perspective of subject and object, thereby furnishing a normative dimension to Kant's aesthetics.