Art Concept Pluralism Undermines the Definitional Project

British Journal of Aesthetics 62 (1):81-84 (2022)
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Abstract

This discussion note addresses Caleb Hazelwood’s ‘Practice-Centered Pluralism and a Disjunctive Theory of Art’. Hazelwood advances a disjunctive definition of art on the basis of an analogy with species concept pluralism in the philosophy of biology. We recognize the analogy between species and art, we applaud attention to practice, and we are bullish on pluralism—but it is a mistake to take these as the basis for a disjunctive definition.

Author Profiles

P. D. Magnus
State University of New York, Albany
Christy Mag Uidhir
University of Houston

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