The Sublime Aesthetic And Nineteenth-Century Representations Of The Victoria Falls

Postgraduate Journal of Aesthetics 1 (3) (2004)
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Abstract

Recent academic fashions have posited visual images of colonial landscape space as forming part of a network of intellectual influences that promoted both a culture of imperialism and an imperial culture in the nineteenth century. Frequently these analyses concentrate on constructing an overarching socio-political interpretation into which to place this art, thereby ignoring the influence of artistic and aesthetic theory in the creation, assessment and reception of these images.

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