Abstract

In a letter dated 12 January 1907, written to the poet Hugo von Hofmannsthal, the philosopher Edmund Husserl presents a half-formed analogy between the artist and the phenomenologist. Husserl writes that both the artist and the phenomenologist, in their respective efforts to study the world, share the common attitude of indifference regarding the world’s existence; they both experience the world as phenomena. Both the aesthetic and phenomenological intuitions, then, are marked by the departure from the “natural” attitude, the everyday ordinary attitude of taking objective reality for granted. Husserl concludes the thought by describing how the philosopher, with his observations, goes on to produce a critique of reason, whereas the artist simply gathers materials for his art.2 This is where the comparison apparently ends.