Jenny Saville Remakes the Female Nude – Feminist Reflections on the State of the Art

In Peg Brand (ed.), Beauty Unlimited. Indiana University Press (2012)
Download Edit this record How to cite View on PhilPapers
Abstract
Jenny Saville is a leading contemporary painter of female nudes. This paper explores her work in light of theories of gender and embodied agency. Recent work on the phenomenology of embodiment draws a distinction between the body image and the body schema. The body image is your representation of your own body, including your visual image of it and your emotional attitudes towards it. The body schema is comprised of your proprioceptive knowledge, your corporeally encoded memories, and your corporeal proficiency with respect to various environments and activities. Saville is concerned with body image issues, and I discuss how she reconfigures representational practices with respect to feminine body images. However, the most exciting potential for feminist analysis of the state of the female nude derives from the concept of the body schema, for this concept endows the human body with subjectivity and agency. My key question, then, is by what pictorial means and to what extent Saville succeeds in representing agentic womanhood. I argue that interpreting Saville’s paintings from the standpoint of the body schema demonstrates the radicality of her remaking of the female nude and the rapport between her imagery and feminist values.
PhilPapers/Archive ID
MEYJSR
Revision history
Archival date: 2013-08-24
View upload history
References found in this work BETA

No references found.

Add more references

Citations of this work BETA

Add more citations

Added to PP index
2013-08-24

Total views
231 ( #19,050 of 49,975 )

Recent downloads (6 months)
26 ( #24,175 of 49,975 )

How can I increase my downloads?

Downloads since first upload
This graph includes both downloads from PhilArchive and clicks to external links.