Abstract

The author Kitija Mirončuka in her article "Human Savages: Frantz Fanon and Racism" analyses how race, a seemingly constant human trait (natural phenomenon), becomes a condition for exclusion, differentiation, and violence (i.e., abnormality). In the article, the body is portrayed as a formalizable object; the author deliberates whether the natural origin is something changeable and exceptional. Introducing the Franco-Algerian philosopher Frantz Fanon, the author focuses on biopolitical practices and forms of violence that imperceptibly incorporate new concepts of human - Algerian appearance, lifestyle, movement, and habits - savagery, animalism, abnormality, extremeness, and unacceptability. The article reviews three perspectives - body and race, body and skin colour, body and rhythm - to indicate that all these features, although common to many bodies, nevertheless, are selectively used to either normalize or discriminate a person based on appearance or cultural and ethnic affiliations.