Trompe l’oeil and the Dorsal/Ventral Account of Picture Perception

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While there has been a lot of discussion of picture perception both in perceptual psychology and in philosophy, these discussions are driven by very different background assumptions. Nonetheless, it would be mutually beneficial to arrive at an understanding of picture perception that is informed by both the philosophers’ and the psychologists’ story. The aim of this paper is exactly this: to give an account of picture perception that is valid both as a philosophical and as a psychological account. I argue that seeing trompe l’oeil paintings is, just as some philosophers suggested, different from other cases of picture perception. Further, the way our perceptual system functions when seeing trompe l’oeil paintings could be an important piece of the psychological explanation of perceiving pictures.
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Archival date: 2020-01-19
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References found in this work BETA
The Visual Brain in Action.Milner, A. David & Goodale, Melvyn A.
Languages of Art.Goodman, Nelson

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Gombrich and the Duck-Rabbit.Briscoe, Robert Eamon
Visual Feeling of Presence.Ferretti, Gabriele
Threefoldness.Nanay, Bence

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