Da singularidade como acontecimento estético

Aufklärung 11 (2):151-164 (2024)
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Abstract

We usually don’t acknowledge social mediation when speaking about subjective experiences in day-to-day life, which relies instead on a unitary and essentialist notion of identity. I initially explore this statement by examining how Kant changes his view on singular-universal relation from the first to the third Critique. A closer look at the reflexive judgment and how it states singularity as a non-conceptualised event follows from that. I then argue in favour of an affinity between an aesthetic notion of singularity, such as found in the third Critique, and the political mobilisation of subjective experiences.

Author's Profile

Pedro Pennycook
University of Kentucky

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