Abstract

This text is neither about Émile Durkheim nor about the movie. It is a small exercise to demonstrate how a local sociological theory can be applied to analyze a certain work of fiction. To do this, we examine one theoretical tension contained within the French sociologist’s ideas about the nature of human egoism. The reference to the movie Babylon is therefore no more than illustrative. Nevertheless, it allows us to vividly describe the ideal-typical characteristics of “egoistic” suicide.