Abstract

To speak of aesthetic development in dance implies that there is a condition of aesthetic maturity which can be identified as a continuum of growth in aesthetlc understanding, and that aesthetic maturity in dance is distinct from aesthetic maturity in, say, the visual arts, literature, or music. This paper is an attempt to identify the "aesthetic behaviours" unique to dance, and to examine the notion that there is a growth of aesthetic understanding which can be monitored monl'tored.