Abstract

This paper explores the positionality of war-ridden female characters in Leila Aboulela’s latest novel River Spirit through the theoretical perspectives of Cynthia Enloe, Fatima Mernissi, and Sara Ahmed. Set in 19th-century Sudan, the novel is a depiction of intricate circumstances women go through during times of war. This paper examines how gender, religion, and power dynamics intersect and determine feminine experiences. Drawing on Cynthia Enloe’s analysis of militarism, this paper examines how war intensifies patriarchal control and situates women in a position that is pivotal yet peripheral to the war. Fatima Mernissi’s critique of patriarchal interpretations of Islam helps the paper frame the man-made religious and cultural engagements that suppress female agency. It also explores those moments of rebellion when women implement their will within these structures of subjugation. The work of Sara Ahmed on emotions and feminist killjoy provides an affective line to these war-torn experiences and allow one to predict how emotions of fear, defiance, and resilience would shape their actions and identities. This research shows how River Spirit not only represents the gendered impacts of war and religion but also demonstrates women’s agency against the interrelated forces of patriarchy, militarism, and religious orthodoxy.