Abstract

This article theorizes the relationship between three fundamental categories for bell hooks' formulations regarding cultural critique and subjectivity - keeping in mind that hooks' thought establishes a fractal system - oppositionality, affectability and radical black subjectivity. From this, we establish the main objective of this text: to think with hooks about the importance of the positionality of the body (subject) in the construction of knowledge and of itself, from its capacity to be affected (affectability) and to affect people, as being primordial stages of the fertile context for the emergence of radical black subjectivity. For this analysis, this article will address the following questions: 1) the construction and role of radical black subjectivity in bell hooks; 2) the recovery of the body and affectability in the production of knowledge; and 3) the centrality of the oppositional gaze and the potency of imagination in the displacement of binaries towards new consciousnesses and new worlds.