Abstract

By slowly dissolving the contrast between necessity and chance we arrive at Leibniz’ Principle of Sufficient Reason, which we trace back to his ideas on sufficient grace. Doing so, the world of things falling and befalling starts to become the engine of appearances and images, something we initially find in Lucretius, then in Virilio and Baudrillard. Why is it that the media crave accident? Because in phenotechnology only the transfer to images counts, not the breaking with the final cause of technical objects. From the perspective of media, nothing goes wrong. The media constitute a realm of technical grace, the gentle force that makes brutal events happen.