Rashômon. La memoria y su conexión con el pasado

Journal Etica Cine 7 (3):11-21 (2017)
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Abstract

Taking as starting point Akira Kurosawa’s film, I analyse the tension between the reconstructive nature of memory and the possibility of knowing truths from the past, and I explore if the tendency to align our personal memories to our present interests necessarily leads to an sceptic and relativistic vision of the knowledge from the past.

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