Abstract

Amid ecological collapse and historical trauma, In Vitro (2019)—a science fiction film by Larissa Sansour and Søren Lind—offers a profound reimagining of world-building through Hannah Arendt’s concept of natality: the human capacity to initiate new beginnings. Norma Musih’s analysis reveals how the film transforms classic science fiction motifs into instruments of political, ecological, and cultural renewal