Abstract

This thesis gets its fundamental idea from Herbert Marcuse’s critique of modern society. His analysis concerning the petrification of modern dichotomies is our starting point. We especially focus on the modern dichotomy of Logos and Eros, in more general terms, reason and desire. According to Marcuse’s analysis, petrification of dichotomies causes us to form a relation of domination and repression between our stated faculties. And this hampers modern individuals to use their capacities in their fullest sense. As a consequence of not being able to use our capacities freely, our powers to criticize and create are degraded. After covering this analysis, as a way out from this condition of domination, we are looking Marcuse’s idea of reconciling the opposite faculties. Through his account of reconciliation, we try to discuss his accounts of aesthetics. And then we try to look at the political and social projections of his account of aesthetics. To be able to better understand Marcuse and find the starting point of his critique of modern dichotomies, we look at Friedrich Schiller in our second chapter. First off, we discuss his critique of modernity which is mainly based on modern dichotomies. After that, we try to discuss his account of aesthetics. We see that his account of Beauty and Freedom are closely related to each other and we see that those two terms stand at the center when it comes to reconciling modern dichotomies. And then, we try to understand how Schiller’s account of aesthetics is associated with his ethics and politics. On that, we see that aesthetic action gives us a better understanding of the relation between ethics, politics and aesthetics. Lastly, as a way to reconcile the opposite faculties, we look at our capacities to negate and create that are used in a creative action.