De la imagen-acción a la imagen-tiempo. Un análisis de Paterson, de Jim Jarmusch.

Download Edit this record How to cite View on PhilPapers
Abstract
In the present study, I will consider the crisis of the movement image, and the emergence of a new type of image, namely, the time image. First, I will analyze certain basic concepts used by Deleuze (1925-1995) and by Bergson (1859- 1941) to understand the new type of image that emerges from an interruption of our natural perception, granting us -by separating ourselves from all our previous experiences- pure optical and sound perceptions. Secondly, I will trace the changes that, both inside and outside cinema, made possible this emergence. Finally, according to the signs of the time-image developed by Deleuze, I will analyze the film Paterson (2016), by Jim Jarmusch. The film, inspired not only by the work of the poet William Carlos Williams (1883-1963), but also by other poets of the New York School, seeks to portray, through visual descriptions, the details of our daily lives. Key-words: natural perception - pure perception - movement image - time image - cinema.
PhilPapers/Archive ID
ZIMDLI
Upload history
Archival date: 2021-10-07
View other versions
Added to PP index
2021-10-07

Total views
9 ( #66,876 of 65,772 )

Recent downloads (6 months)
9 ( #55,865 of 65,772 )

How can I increase my downloads?

Downloads since first upload
This graph includes both downloads from PhilArchive and clicks on external links on PhilPapers.