Alfred Gell puts forward a new anthropological theory of visual art, seen as a form of instrumental action: the making of things as a means of influencing the thoughts and actions of others. He shows how art objects embody complex intentionalities and mediate social agency, and he explores the psychology of patterns and perceptions, art and personhood, the control of knowledge, and the interpretation of meaning, drawing upon a diversity of artistic traditions--European, Indian, Polynesian, Melanesian, and Australian. Art and Agency (...) was completed just before Alfred Gell's death at the age of 51 in January 1997. It embodies the intellectual bravura, lively wit, vigour, and erudition for which he was admired, and will stand as an enduring testament to one of the most gifted anthropologists of his generation. (shrink)

An abridged version of the 1937 an-thropological study of the Azande of the southern Sudan, the theoretical insights of which have proven increasingly influential among both anthropologists and others.

Identified as the first American edition of a 1990 book published in the UK by J. Cape Ltd. as The heart of the world, this is an account of the making of a BBC television film on the Kogi, an isolated people of Colombia. The author is a historian and film-maker who writes with clarity and empathy. Annotation c. by Book News, Inc., Portland, Or.

This important work of archaeological theory challenges us to reconsider our ideas about the nature of things, past and present, arguing that objects themselves possess a dynamic presence that we must take into account if we are to understand the world we and they inhabit.

The introductory chapter, entitled 'The Subject, Method and Scope of this Enquiry,' details how anthropology is to be pursued as a science and advocates the method of participant observation.

In light of many recent critiques of Western modernity and its conceptual foundations, the problem of adequately justifying our most basic moral and political values looms large. Without recourse to traditional ontological or metaphysical foundations, how can one affirm — or sustain — a commitment to fundamentals? The answer, according to Stephen White, lies in a turn to “weak” ontology, an approach that allows for ultimate commitments but at the same time acknowledges their historical, contestable character. This turn, White suggests, (...) is already underway. His book traces its emergence in a variety of quarters in political thought today and offers a clear and compelling account of what this might mean for our late modern self-understanding. (shrink)

By insisting on the importance of materiality, this volume breaks new ground in philosophy, feminist theory, cultural studies, science studies, and other fields where the body and nature collide.

It surely would lighten the tasks of feminism tremendously if we could cut to the quick of women's lives by focusing on some essential "woman- ness." However, though all women are women, no woman is only a woman. Those of us who have  ...

Latour is a world famous and widely published French sociologist who has written with great eloquence and perception about the relationship between people, science, and technology. He is also closely associated with the school of thought known as Actor Network Theory. In this book he sets out for the first time in one place his own ideas about Actor Network Theory and its relevance to management and organization theory.

Now available for the first time in paperback, the remarkable debut of a former student of Alain Badiou.

Bruno Latour was once asked : "Do you believe in reality?" This text is an attempt to answer this question.

A summation of the work of one of the most influential and provocative interpreters of science, it aims at saving what is good and valuable in modernity and ...

From the book: What is to be done with political ecology? Nothing. What is to be done? Political ecology!

The article assumes that the expression “comparative relativism”—the title of the Common Knowledge symposium in which the essay appears—is neither tautological nor oxymoronic. Rather, the author construes the term as an apt synthetic characterization of anthropology and illustrates that idea by means of four quotations, taken from authors as different as Richard Rorty and David Schneider, Marcel Mauss and Henri Michaux. The quotations can be said to “exemplify” anthropology in terms that are interestingly (and diversely) restrictive: some of them amount (...) to extrinsic negations of anthropology that would paralyze it; others suggest intrinsic negativities that would propel it. All of the passages chosen evoke the idea of belief, which is profoundly implicated, in all possible senses (and especially the worse ones), in the majority of arguments that connect the themes of anthropology, comparison, and relativism. (shrink)

In _Vibrant Matter_ the political theorist Jane Bennett, renowned for her work on nature, ethics, and affect, shifts her focus from the human experience of things to things themselves. Bennett argues that political theory needs to do a better job of recognizing the active participation of nonhuman forces in events. Toward that end, she theorizes a “vital materiality” that runs through and across bodies, both human and nonhuman. Bennett explores how political analyses of public events might change were we to (...) acknowledge that agency always emerges as the_ _effect of ad hoc configurations of human and nonhuman forces. She suggests that recognizing that agency is distributed this way, and is not solely the province of humans, might spur the cultivation of a more responsible, ecologically sound politics: a politics less devoted to blaming and condemning individuals than to discerning the web of forces affecting situations and events. Bennett examines the political and theoretical implications of vital materialism through extended discussions of commonplace things and physical phenomena including stem cells, fish oils, electricity, metal, and trash. She reflects on the vital power of material formations such as landfills, which generate lively streams of chemicals, and omega-3 fatty acids, which can transform brain chemistry and mood. Along the way, she engages with the concepts and claims of Spinoza, Nietzsche, Thoreau, Darwin, Adorno, and Deleuze, disclosing a long history of thinking about vibrant matter in Western philosophy, including attempts by Kant, Bergson, and the embryologist Hans Driesch to name the “vital force” inherent in material forms. Bennett concludes by sketching the contours of a “green materialist” ecophilosophy. (shrink)

A theoretical physicist and feminist theorist, Karen Barad elaborates her theory of agential realism, a schema that is at once a new epistemology, ontology, and ethics.

Marilyn Strathern argues that gender relations in Melanesia have been a particular casualty of unexamined assumptions held by Western anthropologists and feminist scholars alike. The book treats with equal seriousness, and with equal good humour, the insights of Western social science, feminist politics, and ethnographic reporting, in order to rethink the representation of Melanesian social and cultural life.

Prince of Networks is the first treatment of Bruno Latour specifically as a philosopher. It has been eagerly awaited by readers of both Latour and Harman since their public discussion at the London School of Economics in February 2008. Part One covers four key works that display Latour’s underrated contributions to metaphysics: Irreductions, Science in Action, We Have Never Been Modern, and Pandora’s Hope. Harman contends that Latour is one of the central figures of contemporary philosophy, with a highly original (...) ontology centered in four key concepts: actants, irreduction, translation, and alliance. In Part Two, Harman summarizes Latour’s most important philosophical insights, including his status as the first ‘secular occasionalist.’ The problem of translation between entities is no longer solved by the fiat of God (Malebranche) or habit (Hume), but by local mediators. Working from his own ‘object-oriented’ perspective, Harman also criticizes the Latourian focus on the relational character of actors at the expense of their cryptic autonomous reality. This book forms a remarkable interface between Latour’s Actor-Network Theory and the Speculative Realism of Harman and his confederates. It will be of interest to anyone concerned with the emergence of new trends in the humanities following the long postmodernist interval. (shrink)

This introduction argues that anthropologists have previously relied on an understanding of concepts that does not allow them to adequately incorporate the study of cultural artifacts into their research. They refer to the traditional approach as epistemological and their own approach as ontological.

These writings chart Harman's rise from Chicago sportswriter to co-founder of one of Europe's most promising philosophical movements: Speculative Realism. In 1997, Graham Harman was an obscure graduate student covering Chicago sporting events for a California website. Unpublished in philosophy at the time, he was already a popular conference speaker on Heidegger and related themes. Little more than a decade later, as the author of stimulating and highly visible books on continental philosophy, he was Associate Vice Provost for Research at (...) the American University in Cairo, and a key member of the Speculative Realist movement along with Ray Brassier, Iain Hamilton Grant, and Quentin Meillassoux. This fascinating collection of eleven essays and lectures from 1997-2009, anchored by Harman's rebellious transformation of Heideggerian philosophy, show the evolution of his object-oriented metaphysics from its early days into an increasingly developed philosophical position. Each chapter is preceded by Harman's delightful and witty scene-setting commentary. (shrink)

What has happened to the project of ‘symmetrical anthropology’ in the last twenty years? What difference does it make to consider a multiplicity of cultures over the background of a unified nature, or a multiplicity of natures in addition to a multiplicity of cultures? In which way does it open up another type of scientific anthropology, no longer based on comparison but on ‘diplomacy’? Can modernity, as an interpretation of the former West, be recalled? Translated by Stephen Muecke.

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This important work of archaeological theory challenges us to reconsider our ideas about the nature of things, past and present, arguing that objects themselves possess a dynamic presence that we must take into account if we are to understand the world we and they inhabit.