This article explores several views on the relation of humour, especially tendentious humour, to morality, including comic amoralism, comic ethicism, comic immoralism, and moderate comic moralism. The essay concludes by defending moderate comic moralism.

We experience resistance when we are engaging with fictional works which present certain (for example, morally objectionable) claims. But in virtue of what properties do sentences trigger this ‘imaginative resistance’? I argue that while most accounts of imaginative resistance have looked for semantic properties in virtue of which sentences trigger it, this is unlikely to give us a coherent account, because imaginative resistance is a pragmatic phenomenon. It works in a way very similar to Paul Grice's widely analysed ‘conversational implicature’.

Books reviewed in this article:Peter Kivy, The Possessor and the Possessed: Handel, Mozart, Beethoven, and the Idea of Musical GeniusKirk Pillow, Sublime Understanding: Aesthetic Reflection in Kant and HegelWilliam Irwin, Intentionalist Interpretation: A Philosophical Explanation and DefenseAllen Carlson, Aesthetics and the Environment: The Appreciation of Nature, Art, and ArchitectureElizabeth Grosz, Architecture from the OutsideDavid Leatherbarrow, Uncommon Ground: Architecture, Technology, and TopographyCaroline Joan S. Picart, Thomas Mann and Friedrich Nietzsche: Eroticism, Death, Music, and LaughterCaroline Joan S. Picart, Resentment and the “Feminine” (...) in Nietzsche's Politico–Aesthetics. (shrink)

The schoolyard wisdom about “sticks and stones” does not take one very far: insults do not take the form only of words, in truth even words have effects, and in the end the popular as well as the standard legal distinctions between speech and conduct are at least as problematic as they are helpful. To think clearly about how much we should put up with those who would put us down, it is necessary to explore the nature and place of (...) insult in our lives. What kind of injury is an insult? Is its infliction determined by the insulter or the insulted? What does it reveal of the character of each and of the character of society and its conventions? What is its role in social and legal life (from play to jokes to ritual to war and from blasphemy to defamation to hate speech)? Philosophical, anthropological, psychoanalytic, and legal approaches to the questions are emphasized. Whether intentional or unintentional, the assertions and assumptions of dominance in insults make them a serious and essential form of power play. Is to understand all to forgive all? (shrink)

A philosophical inquiry into the essence of comedy.