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  1. The actor and the spectator.Lewis White Beck - 1975 - New Haven: Yale University Press.
    Can a machine think? More pointedly, if I am a machine, can I think? Beck answers these questions by analyzing two clusters of metaphors -- one of which dramatizes human beings as spontaneous agents (actors), and the other sees them as observers attempting to explain causally their own behavior and that of the actor (spectators). Using a hypothetical scene with two spectators, each explaining an action, and each representing a different way of viewing the world, Beck points up the central (...)
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  • Agency, Action, and Meaning ‘In’ Movement: An Introduction to Three New Terms.Peter J. Arnold - 1979 - Journal of the Philosophy of Sport 6 (1):49-57.
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  • A Philosophy of Music Education.Bennett Reimer - 1970 - Englewood Cliffs, N.J., Prentice-Hall.
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  • Man, sport, and existence.Howard S. Slusher - 1967 - Philadelphia,: Lea & Febiger.
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  • The artistic values in aesthetic experience.Jerome Stolnitz - 1973 - Journal of Aesthetics and Art Criticism 32 (1):5-15.
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  • Zen in the Art of Archery.Eugen Herrigel & R. F. C. Hull - 1955 - Philosophy East and West 5 (3):263-264.
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  • (1 other version)La structure du comportement.Maurice Merleau-Ponty - 1942 - Paris,: Presses universitaires de France.
    Dans cet ouvrage publié en 1942, complété en 1945 par la Phénoménologie de la perception, « s’affirme pour la première fois une philosophie existentielle où le mode d’être ultime du pour-soi ne s’avère pas être, en dépit des intentions et des descriptions contraires, celui d’une conscience-témoin » (A. de Waelhens, préface). La structure du comportement se place au niveau de l’expérience non pas naturelle mais scientifique et s’efforce de prouver que cette expérience, c’est-à-dire l’ensemble des faits qui constituent le comportement, (...)
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  • To be and not to be.Jacques L. Salvan - 1962 - Detroit,: Wayne State University Press.
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