Two centuries after they were published, Kant's ethical writings are as much admired and imitated as they have ever been, yet serious and long-standing accusations of internal incoherence remain unresolved. Onora O'Neill traces the alleged incoherences to attempts to assimilate Kant's ethical writings to modern conceptions of rationality, action and rights. When the temptation to assimilate is resisted, a strikingly different and more cohesive account of reason and morality emerges. Kant offers a "constructivist" vindication of reason and a moral vision (...) in which obligations are prior to rights and in which justice and virtue are linked. O'Neill begins by reconsidering Kant's conceptions of philosophical method, reason, freedom, autonomy and action. She then moves on to the more familiar terrain of interpretation of the Categorical Imperative, while in the last section she emphasizes differences between Kant's ethics and recent "Kantian" ethics, including the work of John Rawls and other contemporary liberal political philosophers. (shrink)

Liberal democracy has long been recognized ‘in principle’ as the political project of modern times. This is not a political philosophy of which we can say that it has followed the words of Hegel and taken flight only with the falling of the dusk. Rather it is a philosophy which observes the Aristotelian maxim that ‘the end aimed at is not knowledge but action’, and therefore concerns itself with a perspective from which the thought of its own recognition is still (...) in question. This thought is the one of international order. Here the figure of Kant steps forth in the role of philosophical and political avant-garde. (shrink)

"The importance and significance of Kant's aesthetics have been widely debated. This work presents an original interpretation of Kant's account which is based on rethinking the nature of Critical Philosophy. Gary Banham presents the argument that the Critique of Judgment needs to be read as a whole. Aesthetics is investigated in relation to all three critiques with the recovery of a larger sense of the 'aesthetic' resulting. This broader notion of aesthetics is connected to the recovery of the critique of (...) teleology in an original presentation of Kant's critical enterprise as constituted by the attempt to think the meaning of ends."--BOOK JACKET. (shrink)

This is a book focused primarily on reading the *Critique of Judgment* but which takes the central topics of it to be central to understanding the Critical Philosophy generally. It distinguishes types of aesthetics and teleology and in the process suggests an ambitious reconstruction of the landscape of Kant's architectonic.