Structures for Semantics offers an advanced course in logical and mathematical techniques and structures that are used in semantics, in relation to their semantic applications. The book helps students with a background in semantics to develop their skills of formalization and it makes research in semantics accessible. Workers in other disciplines will use it to discover more about the role of formal modelling in current semantic research, and about semantics itself. Following a chapter on logic and set theory there are (...) three parts of chapters: two pairs of chapters on partial order and equivalence relations in relation to semantic analyses of tense, partial information and vagueness; two chapters on methods for creating ordered structures in relation to intervals, events, and the semantics of change; two chapters on lattices and Boolean algebras in relation to types for noun phrases and verbs, and the semantics of plurals and mass nouns. For upper-level undergraduate students and graduate students in semantics: theoretical linguists, logicians, philosophers of language, computer scientists interested in natural language semantics. (shrink)

In this landmark work on early conceptual and lexical development, Ellen Markman explores the fascinating problem of how young children succeed at the task of ...

The Generative Lexicon presents a novel and exciting theory of lexical semantics that addresses the problem of the "multiplicity of word meaning" - that is, how ...

Word meaning confronts us, as acutely as anything in syntax, with what Chomsky has called Plato’s problem.1 We know far more about the meaning of almost any word than we could have learned just from our exposure to uses of it. Communication would be unbearably laborious if we did not share with other speakers the ability to generalize the meanings of words in the right ways. As Fodor (1981) notes in arguing for the innateness of lexical semantics, the most we (...) might plausibly have learned about meaning of the verb paint is that it means something like “to cover with paint”. Even if we have only seen this done with a brush, we have no hesitation in applying the verb correctly to novel techniques of painting, such as rolling, spraying, or dipping. But when a vat of paint explodes in a paint factory, covering everyone with paint, or when Vel´. (shrink)