∗ Apologies to Mark Hinchliff for stealing the title of his dissertation. (See Hinchliff, A Defense of Presentism. As it turns out, however, the version of Presentism defended here is different from the version defended by Hinchliff. See Section 3.1 below.).

In his controversial book _An Outline of Philosophy_, first published in 1927, Bertrand Russell argues that humanity demands consideration solely as the instrument by which we acquire knowledge of the universe. From our inner-world to the outer-world, from our physical world to the universe, his argument separates modern scientific knowledge and our ‘seeming’ consciousness. These innovative perspectives on philosophy made a significant contribution to the discourse on the meaning, relevance and function of philosophy which continues to this day.

Bertrand Russell argues that humanity demands consideration solely as the instrument by which we acquire knowledge of the universe.

This entirely new translation of Critique of Pure Reason by Paul Guyer and Allan Wood is the most accurate and informative English translation ever produced of this epochal philosophical text. Though its simple, direct style will make it suitable for all new readers of Kant, the translation displays a philosophical and textual sophistication that will enlighten Kant scholars as well. This translation recreates as far as possible a text with the same interpretative nuances and richness as the original.

In lieu of an abstract, here is a brief excerpt of the content:HUME'S IDEAS In the eighteenth century, there was widespread acceptance of a physiological basis for cognition. Some writers even argued for a rather detailed correlation between awareness and physiological changes, suggesting that (a) the former could be adequately explained in terms of the latter or, in some few instances, (b) that the former are the latter. David Hartley may come to mind as fitting one or the other of (...) these alternatives, but Robert Hooke had earlier argued for ideas as brain impressions, as of course did Descartes in his early scientific treatises. There was also one medical doctor in the eighteenth century, Dr. Astruc, who seems (on the basis of what Chambers reports) to have attempted a very specific correlation between specific forms of awareness and specific states and changes in physiology. There were also writers in this century who warned against the dangers of using physical-object vocabulary when talking about the mind and acts of awareness. Berkeley is one such writer,- Thomas Reid at the end of the century traced, to the use of this vocabulary, what he took to be the indirect realism of the way of ideas. Hume is writing in both these traditions: the tradition of using physical language for characterizing mental operations and the tradition of physiological explanations and correlations. The phrase used by Alexander Pope and Hume, 'the anatomy of the mind', seems to be a mixed metaphor, but it is a phrase which I take as an indication that Hume is doing what we would call 'cognitive psychology'. Another phrase used by Hume (this time in the Enquiry), 'mental geography', may capture his enterprise better: 'geography' still sounds physical, but it is modified by 'mental'. Hume is engaged in mental mapping. I want to take a look at the use of the term 'idea' in Hume's writing (mainly in the Treatise) in order to see 2. whether Hume's text enables us to say anything about the nature of his ideas, to discover what role they play in his mental geography. As far as I can determine, there are three possible candidates for the nature of ideas in Hume: images, brain impressions, and cognitive contents. The first of these is, I think, the standard reading of Hume's ideas. Professor Anderson has presented strong argument and evidence to support the second. I will be suggesting that the third is the best candidate, given the full range of the text of the Treatise. Of course, the correct answer 4 may be all three of these. The Treatise opens by dividing all perceptions of the human mind into two kinds. Impressions and ideas differ in the degree of force and liveliness with which they strike upon the mind. Even though the language of 'force' and 'liveliness' may be borrowed from physical talk, it is the mind, not the brain, on which perceptions strike. The examples of impressions are sensations, passions, and emotions. Ideas are said to be the faint images of these impressions in thinking and reasoning. The term 'image' throughout the eighteenth century never receives any clear explication. Its inheritance from optical treatises always hangs about it. We should look to the examples cited by Hume, in order to see whether we can construct a meaning for that term when used in these psychological contexts. Let us look first at his very first example of 'ideas': all the perceptions excited by the present discourse. (Tl) He explicitly excludes from these perceptions those which arise from the sight and touch, as well as the immediate pleasure or uneasiness his discourse may excite in us. The perceptions which are thus excluded are sensations and emotions, the impressions he has just distinguished. The only candidate left for ideas would seem to be what this discourse says, our thoughts about it, my understanding of what it says. The distinction is not one Hume thinks is difficult to follow: Every one of himself will readily perceive the difference betwixt feeling and thinking. (Tl-2) Last week I was sad, today I recall that feeling of sadness/ the difference between being sad and remembering that I was sad. Hume gives a different example: the perceptions formed when... (shrink)

(This paper has since been republished in _Kant's Critique of Pure Reason: Critical Essays_, edited by Patricia Kitcher [Lanham: Rowman and Littlefield, 1998], 21-44.) Kant's claim that space and time are "forms of intuition" is contrasted with the nativist claim that space is an innate idea or construct of the mind and with the empiricist claim that space is given in or learned from experience. It is argued that the nativism/empiricism debate masks a more fundamental disagreement between sensationism and constructivism. (...) Kant's account of space- and time-cognition is shown to be neither sensationist nor constructivist and as a consequence to be "nativistic" in a sense which commentators from Vaihinger and Kemp Smith to Patricia Kitcher have failed to capture. (shrink)

Scholars have almost universally agreed that Hume's account of space and time as manners of disposition of impressions is inconsistent with one of the most fundamental tenets of his empiricism: the thesis that all ideas are derived from simple impressions. This paper challenges that view and argues that Hume's position on the origin of our ideas of space and time is a profound, original, virtually unique, and even courageous approach to the problem of original space and time cognition, and a (...) theory that allows for hitherto unrecognized expansions to the resources available to his empiricism. (shrink)

This paper considers an objection to the Humean view that perception involves introspective acquaintance with representative images. The objection, originally raised by Thomas Reid and recently endorsed by Nicholas Wolterstorff, states that no representative image can be hard, and concludes that acquaintance with such images cannot therefore account for our perception of hardness. I argue in response that a case has not been made for denying that representative images can be hard. Hardness, as understood by Hume and Reid, is the (...) quality of having parts that resist motion relative to one another. This means that as long as it is allowed that representative images can consist of spatially disposed parts, there can be no a priori reason to deny that they might be hard as well. (shrink)

Reid is well known for rejecting the "philosophy of ideas"--a theory of mental representation that he claimed to find in its most vitriolic form in Hume. But there was another component of Hume's philosophy that exerted an equally powerful influence on Reid: Hume's attack on the notion of spiritual substance in _Treatise 1.4.5. I summarize this neglected aspect of Hume's philosophy and argue that much of Reid's epistemology can be explained as an attempt to buttress dualism against the effects of (...) Hume's critique. (shrink)

Hume argues that there are steadfast objects - objects not themselves successions at all, yet which co-exist with successions. Given Hume's account of moments as abstractions from temporal simples, there being steadfast objects entails there being single moments that co-exist with successions of moments. Thus time is more like a wall of variously sized bricks than like a line. I formalize the assumptions behind this surprising view, in order to make sense of it and in order to show that it (...) is consistent. I note also that this view justifies the common-sense assumptions that time flows and is unlike space. (shrink)

In this essay I address the question of the reality of temporal passage through a discussion of some of the implications of Kant's reasoning concerning the necessary conditions of objective judgement. Some theorists have claimed that the attribution of non‐relational temporal properties to objects and events represents a conceptual confusion, or ‘category mistake’. By means of an examination of Kant's Second Analogy, and a comparison between that argument and Cassam's recent exploration of an argument regarding the necessity of the conceptualisation (...) of ourselves as spatially located, I draw out a consequence of Kant's argument: namely, that the representation of temporal becoming is a necessary condition of objective judgement and an a priori element in the representation of objects of experience. I finish by explaining why this would show that the attribution of temporal becoming to objects and events cannot be described as a category mistake. (shrink)

In this essay I address the question of the reality of temporal passage through a discussion of some of the implications of Kant's reasoning concerning the necessary conditions of objective judgement. Some theorists have claimed that the attribution of non‐relational temporal properties to objects and events represents a conceptual confusion, or ‘category mistake’. By means of an examination of Kant's Second Analogy, and a comparison between that argument and Cassam's recent exploration of an argument regarding the necessity of the conceptualisation (...) of ourselves as spatially located, I draw out a consequence of Kant's argument: namely, that the representation of temporal becoming is a necessary condition of objective judgement and an a priori element in the representation of objects of experience. I finish by explaining why this would show that the attribution of temporal becoming to objects and events cannot be described as a category mistake. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:26. IN DEFENSE OF SECTION V: A REPLY TO PROFESSOR YOLTON Professor Yolton's article is especially valuable for its opening paragraphs on the writing done in the eighteenth century on the physiological basis of cognition. These provide a much-needed background to Hume's own remarks on the nature of perceptions.. It is both correct and helpful, I think, to understand any philosopher as a man of his own century. Professor (...) Yolton offers this article, in part at least, to differ with my interpretation given in "The Location, Extension, Shape, and Size of Hume's Perceptions." It seems to me, however, that this opening part of his article serves instead to lend support to mine. I have not said, by the way, that Hume believes that ideas are "brain impressions," since Hume has not used that phrase himself. Instead, I have merely provided evidence that Hume believes some perceptions have location, extension, shape and size; and I have pointed out an inconsistency that arises in this connection. Professor Yolton warns against taking Hume to intend, in saying that an idea represents its impression, that the idea is an image of the impression. I find, however, that Hume does assert that ideas are images: Those perceptions, which enter with most force and violence, we may name impressions.... By ideas I mean the faint images of these in thinking and reasoning.... (Tl) Again, in explaining memory: For what is the memory but a faculty, by which we raise up the images of paet perceptions? And as an image necessarily resembles its object.... (T260) At the end of his Part I, Professor Yolton concludes: (1) Hume never mentions the brain and the physiological processes. It is the mind or the soul which considers, conceives, imagines, remembers, thinks It seems to me not at all clear that Hume distinguishes soul 27. or mind from the brain, for he says: Bodily pains and pleasures...arise Originally in the soul, or in the body, whichever you please to call it.... (T276) And Hume certainly does describe the brain and its physiological processes on T60-61 and T185, as Professor Yolton himself later recognizes explicitly on his pages 12 and 16. An ambiguity arises regarding 'representation', Professor Yolton concludes, because Hume is writing in two languages in his account of ideas as representations : The difficulties of interpretation arise from Hume's application of quantitative terms to ideas - size, parts, divisibility. We have to balance this quantitative language of ideas by Hume's ascription of logical properties to ideas - truth, contradiction, possibility. When he speaks of ideas 'representing' things, to which language does 'representation' belong: to the quantitative or to the logical language? (6) I gather that Professor Yolton finds some sort of incompatibility between the "quantitative" characteristics of ideas and their "logical" ones; yet he offers no explanation why he finds them incompatible. More to the point, of course, is whether Hume himself regarded them as incompatible. I find he does not. Rather, it appears that it is the "quantitative" aspects of some ideas that permit them to be adequate representations, having the same "logical" properties as do objects. On T28 Hume has concluded that some ideas are very small: This however is certain, that we can form ideas, which shall be no greater than the smallest atom of the animal spirits of an insect a thousand times less than a mite.... Then on the following page he makes use of this conclusion to argue that ideas have the same "logical" properties as the objects they represent: Wherever ideas are adequate representations of objects, the relations, contradictions and 28. agreements of the ideas are all applicable to the objects ; and this we may in general observe to be the foundation of all human knowledge. But our ideas are adequate representations of the most minute parts of extension; and thro' whatever divisions and subdivisions we may suppose these parts to be arriv'd at, they can never become inferior to some ideas, which we form. The plain consequence is, that whatever appca rn impossible and contradictory upon the comparison of these ideas, must be really impossible and contradictory, without any farther excuse or evasion. (T29), Thus I... (shrink)

A scholarly edition of Essay Concerning Human Understanding by P. H. Nidditch. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

It is widely believed that Hume often wrote carelessly and contradicted himself, and that no unified, sound philosophy emerges from his writings. Don Garrett demonstrates that such criticisms of Hume are without basis. Offering fresh and trenchant solutions to longstanding problems in Hume studies, Garrett's penetrating analysis also makes clear the continuing relevance of Hume's philosophy.

Hume's discussion of the idea of space in his Treatise on Human Nature is fundamental to an understanding of his treatment of such central issues as the existence of external objects, the unity of the self, the relation between certainty and belief, and abstract ideas. Marina Frasca-Spada's rich and original study examines this difficult part of Hume's philosophical writings and connects it to eighteenth-century works in natural philosophy, mathematics and literature. Focusing on Hume's discussions of the infinite divisibility of extension, (...) the origin of the idea of space, geometry, and the notion of a vacuum, she shows that the central questions of Hume's 'science of human nature' - what does the 'science of human nature' reveal about the mind and its operations? what is experience? - underlie all of these discussions. Her analysis points the way to a reassessment of the central current interpretative problems in Hume studies. (shrink)

_Stream of Consciousness_ is about the phenomenology of conscious experience. Barry Dainton shows us that stream of consciousness is not a mosaic of discrete fragments of experience, but rather an interconnected flowing whole. Through a deep probing into the nature of awareness, introspection, phenomenal space and time consciousness, Dainton offers a truly original understanding of the nature of consciousness.

This is a wide ranging survey of the extent and nature of Reid's nativist commitments and of their implications for his account of perception and his realism.

Their initial assumption, however, is mistaken. Augustine's worries were not linguistic ones, although to be fair to the recent critics his worries were exacerbated by some linguistic muddles. He knew perfectly well that he had no trouble talking about time. This he accepted as a fact. His problem was that, although he used temporal terms correctly very easily, he did not know to what they referred. He wanted to know whether time is a feature of the objective physical world, or (...) whether time is a subjective phenomenon; whether temporal relations are relations among physical events, or relations among private, mental events. Ordinary usage did not supply answers to these questions. Indeed, correct ordinary usage is compatible with temporal terms sometimes referring to features of the physical world, sometimes to subjective phenomena. He also wanted to know whether temporal discourse requires reference to specifically temporal entities, i.e., entities or moments which exist independently of things, or whether time is adequately accounted for in terms of the temporal relations among events; whether the measurement of time depends upon the measurement of specifically temporal objects, or whether it is accounted for in terms of features of physical processes. In the course of his inquiry Augustine repeatedly expressed bewilderment. This bewilderment is due not to his being unable to find other words to do the job of "time," but to the fact that the answers do not readily emerge from ordinary ways of talking about "time.". (shrink)

There you are at the opera house. The soprano has just hit her high note – a glassshattering high C that fills the hall – and she holds it. She holds it. She holds it. She holds it. She holds it. She holds the note for such a long time that after a while a funny thing happens: you no longer seem only to hear it, the note as it is currently sounding, that glass-shattering high C that is loud and (...) high and pure. In addition, you also seem to hear something more. It is difficult to express precisely what this extra feature is. One is tempted to say, however, that the note now sounds like it has been going on for a very long time. Perhaps it even sounds like a note that has been going on for too long. In any event, what you hear no longer seems to be limited to the pitch, timbre, loudness, and other strictly audible qualities of the note. You seem in addition to experience, even to hear, something about its temporal extent. (shrink)

This is a review of Barry Dainton's ‘Stream of Consciousness’. While much that is written about the unity of consciousness does, as Dainton says, traffic in vague metaphors and exaggerated claims, Dainton's book is a superb example of sober thinking and meticulous attention to detail. Stream of Consciousness can be roughly divided into three projects, projects that are bound together by co-consciousness. In the present context ‘co-consciousness’ refers to the relation that experiences have when they are experienced together. For instance, (...) when one experiences a pain in one's foot while listening to music, these two experiences will typically be co-conscious parts of a single multi-modal experience, feeling-a-pain-in-one's-foot-while-listening-to-music. (shrink)