In his well-known Art & Illusion, E. H. Gombrich reproduces a brush and ink drawing entitled “Cows in Derwentwater” of a scene in the English Lake Country. The drawing was done by a certain Chiang Yee, whom Gombrich describes as “a Chinese writer and painter of great gifts and charm”. On the page opposite this reproduction Gombrich reproduces a lithograph of a similar scene in the Lake Country, this one an anonymous “‘picturesque’ rendering from the Romantic period” and dated 1826. (...) The differences, as one would guess, are striking—and utterly typical of these two traditions of painting and drawing. (shrink)

This book is a commentary on volume four of Cassirer’s Philosophy of Symbolic Forms. Cassirer had not completed this volume at the time of his death. The texts related to Cassirer’s preliminary work on it have been assembled and translated recently by John Michael Krois and Donald Phillip Verene. Bayer’s book is a commentary on these texts, and since it is meant only as a commentary, as Verene notes in his introduction, “Bayer does not propose to solve problems that may (...) lie within Cassirer’s metaphysics. Her method of commentary takes the reader progressively through Cassirer’s claims, and she reminds the reader how each point stands in relation to the general themes of Cassirer’s position”. So although the book offers a general and helpful summary of the foundational features of Cassirer’s philosophy, it does not offer a deeper or clearer understanding of it. (shrink)