Switch to: Citations

References in:

Mobility and Safety

Theory, Culture and Society 21 (4-5):81-100 (2004)

Add references

You must login to add references.
  1. Monsters in Metal Cocoons: `Road Rage' and Cyborg Bodies.Deborah Lupton - 1999 - Body and Society 5 (1):57-72.
    In this article, the sociocultural meanings and social relations and expectations that cohere around `road rage' and serve to invest it with its particular resonance in contemporary Western societies are examined. It is argued that the combination of car and driver in the driving experience produces a cyborg body, which influences the ways in which people experience, perceive and respond to driving and other cars/drivers. But in contemporary societies the expression of such `negative' emotions is problematic and complex. In this (...)
    Download  
     
    Export citation  
     
    Bookmark   5 citations  
  • The ‘System’ of Automobility.John Urry - 2004 - Theory, Culture and Society 21 (4-5):25-39.
    This article is concerned with how to conceptualize and theorize the nature of the ‘car system’ that is a particularly key, if surprisingly neglected, element in ‘globalization’. The article deploys the notion of systems as self-reproducing or autopoietic. This notion is used to understand the origins of the 20th-century car system and especially how its awesome pattern of path dependency was established and exerted a particularly powerful and self-expanding pattern of domination across the globe. The article further considers whether and (...)
    Download  
     
    Export citation  
     
    Bookmark   24 citations  
  • Living Dangerously with Bruno Latour in a Hybrid World.Mark Elam - 1999 - Theory, Culture and Society 16 (4):1-24.
    This article critically engages with the work of Bruno Latour and, in particular, his book We Have Never Been Modern. Looking beyond the wit and brevity of Latour's writing, the article focuses on some of the non-innocent aspects of his vision of a non-modern world. Rather than completely rejecting the `Great Divides' between Nature and Culture, Westerners and non-Westerners, Latour is seen as only interested in erasing these major fault lines of modernity in order to draw them anew. Ultimately, Latour (...)
    Download  
     
    Export citation  
     
    Bookmark   11 citations