Summary This paper analyzes the Spanish appropriation of one of the great French eighteenth-century best-sellers, the Spectacle de la Nature (1732--1750) by the abbé Antoine Nöel Pluche. In eight volumes, the abbé discussed current issues in natural philosophy, such as Newtonianism, the origin of fossils, artisan techniques, natural history, machines, gardening or insect-collection in a polite-conversation format. It was translated into English (1735), Dutch (1737), Italian (1737), German (1746) and Spanish (1753). But the four Spanish editions were very different from (...) their European counterparts. In Spain, it was delivered in 16 carefully printed and extensively commented volumes. In Pluche's original, there was a concern for the young gentleman's education, new pedagogical methods and an enthusiastic defence of experimental knowledge. However, Le Spectacle in Spain was conceived as a useful tool for modernizing the country, it served political and propagandist goals, defended Spanish culture and science (in particular with respect to American flora, fauna and geography) and the Jesuit contribution to science and aimed to harmonize experimental knowledge and scholastic tradition. The analysis of the more than 1500 footnotes, prefaces, some readers’ comments and other questions related to the format gives insight on how it was appropriated. (shrink)

This essay describes two styles of natural theology that emerged in England out of a debate over the correct interpretation of divine evidences in nature during the seventeenth century. The first style was exemplified in the work of John Wilkins and Robert Boyle. It stressed the lawful operation of the universe under a providential order. The second, embodied in the writings of the Cambridge Platonists, was more open to evidence for the wondrousness of nature provided by the marvelous and by (...) spiritual phenomena. Initially appearing to be alternative and complementary arguments for orthodoxy, these two approaches to natural theology underwent different transformations during the ensuing decades. In the process, a natural theology predicated on the intellectual demonstration of divine power through the argument from design came to predominate over alternative strategies that placed greater emphasis on the wondrousness of nature. (shrink)