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  1. The metaphysical implications of ecology.J. Baird Callicott - 1986 - Environmental Ethics 8 (4):301-316.
    Although ecology is neither a universal nor foundational science, it has metaphysical implications because it profoundly alters traditional Western concepts of terrestrial nature and human being. I briefly sketch the received metaphysical foundations of the modem world view, set out a historical outline of an emerging ecological world view, and identify its principal metaphysical implications. Among these the most salient are a field ontology, the ontological subordination of matter to energy, internal relations, and systemic (as opposed to oceanic) holism. I (...)
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  • Introduction.Aviezer Tucker - 2008 - In A Companion to the Philosophy of History and Historiography. Malden, MA: Wiley-Blackwell. pp. 1–6.
    The distinction between history and historiography and their philosophies.
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  • From yuanqi (primal energy) to Wenqi (literary pneuma): A philosophical study of a chinese aesthetic.Ming Dong Gu - 2009 - Philosophy East and West 59 (1):pp. 22-46.
    Wenqi 文氣 (literary pneuma) is a foundational idea in Chinese aesthetics. It has remained elusive since its initial formulation, however. This is so largely because previous scholars did not examine its ontological and epistemological conditions in analytic terms, still less explore its implications in a conceptual framework of artistic creation. Here, it is proposed to explore its general as well as specific implications against the larger background of Chinese intellectual thought and in relation to contemporary theories of literature and aesthetics. (...)
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  • Extending the neo-confucian tradition questions and reconceptualization for the twenty-first century.Michael C. Kalton - 1998 - Journal of Chinese Philosophy 25 (1):75-100.
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  • Shang divination and metaphysics.David N. Keightley - 1988 - Philosophy East and West 38 (4):367-397.
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  • Aesthetics of Qi: Building on the Internalist-Essentialist Philosophy of Art.Nicholas S. Brasovan - 2015 - Dao: A Journal of Comparative Philosophy 14 (1):75-93.
    A work of art is an intentional transformation of qi 氣 into a dynamic structure. The philosophy of qi is presented here as a means to develop the aesthetic theories of Richard Wollheim and Eliot Deutsch. Both Wollheim and Deutsch present their arguments, in part, as rejections of George Dickie’s “New Institutional Theory of Art.” I develop a robust qi aesthetic drawn from traditional sources and their contemporary commentaries as a way of joining the debate between Dickie and Wollheim/Deutsch, taking (...)
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