We use our hands for many tasks and sensory orientations, including eating, communicating, and bathing. We hold, and manipulate a variety of objects, artifacts, and people, feeling for warmth, coldness, texture, hardness, and softness. We approach people or objects with greetings, embraces, and caresses, and to shove, hit, or defend ourselves against other people and potentially dangerous things. Yet just because our hands play such a central role in so many aspects our lives, they may also play an inordinate role (...) in our memories and imagination. This paper highlights the place of hands in memory and imagination and how these memories and imaginings, in turn, affect not only how we use our hands and for what purposes, but with whom we use them and under what circumstances. (shrink)

Through an extended ethnography of a sports team of boys growing from 7 to 11 years old, I explore Norwegian parents' anxieties about the digital world encroaching on their children's lives. I compare parents' monitoring of their children's (non)digital leisure activities with how kids interact (non)digitally. On the surface, as parents observe how their children's bodies move from screens to sports, they see their kids' attentive hands shifting focus from electronic gaming and screen swiping to a more welcomed ballplaying and (...) high‐fiving with nonelectronic teammates. However, close inspection reveals that my interlocutors never completely enter or leave the digital, but dwell within both worlds simultaneously. The result shows the meaning of children sports as changed by the digital, how the digital appears in the foreground or the background of our interactions, and how an emphasis on attentive hands can help unearth how the digital passes through us to constitute our lifeworlds. (shrink)

The article explores how digital images of hands are used as a symbolic representation of intimacy and intimate emotions in influencer communication on Instagram. Based on digital ethnography with female influencers in the Czech Republic, the analysis focuses on three categories of communicative practices, where hands function as a visual representation of intimacy—creating community, a sense of vulnerability, and the notion of rawness and openness. The analysis points to the gendered nature of influencer communication. It explores how intimacy is established (...) specifically by women influencers who need to navigate vulnerability with the need to protect themselves against gender-based online violence in the form of hate comments and sexualized hate speech. (shrink)