This is the first full exploration of the implications of Wittgenstein's philosophy for understanding the arts and cultural criticism. These original essays by philosophers and critics address key philosophical topics in the study of the arts and culture, such as humanism, criticism, psychology, painting, film and ethics. All exemplify Wittgenstein's method of conceptual investigation and highlight his notion of philosophy as a cure.

Carter argues that Wittgensteinian moral philosophy – typified by the work of Raimond Gaita and Christopher Cordner – rests on shaky foundations because it vacillates between grounding moral judgements in grammar and in a form of life. In this article, I respond to Carter's criticism. I defend Wittgensteinian moral philosophy by showing that Gaita and Cordner specifically repudiate the purported dichotomy between grammar and a form of life. I then go on to explain why Wittgensteinian moral philosophers are right not (...) to try to ground moral judgements in features of a shared form of life. (shrink)