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  1. The Parasite.Michel Serres - 2007 - Univ of Minnesota Press.
    Influential philosopher Michel Serres’s foundational work uses fable to explore how human relations are identical to that of the parasite to the host body. Among Serres’s arguments is that by being pests, minor groups can become major players in public dialogue—creating diversity and complexity vital to human life and thought. Michel Serres is professor in history of science at the Sorbonne, professor of Romance languages at Stanford University, and author of several books, including _Genesis._ Lawrence R. Schehr is professor of (...)
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  • The tree of knowledge:The biological roots of human understanding.Humberto R. Maturana & Francisco J. Varela - 1992 - Cognition.
    "Knowing how we know" is the subject of this book. Its authors present a new view of cognition that has important social and ethical implications, for, they assert, the only world we humans can have is the one we create together through the actions of our coexistence. Written for a general audience as well as for students, scholars, and scientists and abundantly illustrated with examples from biology, linguistics, and new social and cultural phenomena, this revised edition includes a new afterword (...)
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  • How to do things with words.John Langshaw Austin - 1962 - Oxford [Eng.]: Clarendon Press. Edited by Marina Sbisá & J. O. Urmson.
    For this second edition, the editors have returned to Austin's original lecture notes, amending the printed text where it seemed necessary.
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  • Teletheory: Grammatology in the Age of Video.Jessica Prinz & Gregory Ulmer - 1991 - Substance 20 (2):129.
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  • The Critic as Host.J. Hillis Miller - 1977 - Critical Inquiry 3 (3):439-447.
    At one point in "Rationality and Imagination in Cultural History" M.H. Abrams cites Wayne Booth's assertion that the "deconstructionist" reading of a given work "is plainly and simply parasitical" on "the obvious or univocal reading."1 The latter is Abrams' phrase, the former Booth's. My citation of a citation is an example of a kind of chain which it will be part of my intention here to interrogate. What happens when a critical essay extracts a "passage" and "cites" it? Is this (...)
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  • Teletheory: Grammatology in the Age of Video.Gregory L. Ulmer - 1989
    "Teletheory is the application of grammatology to television in the context of schooling, not as a way to interpret or criticize television, or rather, video, but to learn from it a new pedagogy. This application or consultation assumes first that the theories of Derrida and the other French poststructuralists (supported by certain art practices) offer the best hope for understanding an era in which the technology of culture is shifting from print to video; and second that this understanding includes not (...)
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