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  1. The Gap Between Aesthetic Science and Aesthetic Experience.A. D. J. Makin - 2017 - Journal of Consciousness Studies 24 (1-2):184-213.
    For over a century we have attempted to understand human aesthetic experience using scientific methods. A typical experiment could be described as reductive and quasi-psychophysical. We vary some aspect of the stimulus and systematically measure some aspect of the aesthetic response. The limitations of this approach can be categorized as problems on the Y axis and the X axis. The most enigmatic components of aesthetic experience include inclination to cry, aesthetic rapture, a sense of the sublime, and intense fascination. However, (...)
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  • Processing fluency and aesthetic pleasure: Is beauty in the perceiver's processing experience?Rolf Reber, Norbert Schwarz & Piotr Winkielman - 2004 - Personality and Social Psychology Review 8 (4):364-382.
    We propose that aesthetic pleasure is a function of the perceiver's processing dynamics: The more fluently perceivers can process an object, the more positive their aesthetic response. We review variables known to influence aesthetic judgments, such as figural goodness, figure-ground contrast, stimulus repetition, symmetry, and prototypicality, and trace their effects to changes in processing fluency. Other variables that influence processing fluency, like visual or semantic priming, similarly increase judgments of aesthetic pleasure. Our proposal provides an integrative framework for the study (...)
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  • Visual affects: Linking curiosity, Aha-Erlebnis, and memory through information gain.Sander Van de Cruys, Claudia Damiano, Yannick Boddez, Magdalena Król, Lore Goetschalckx & Johan Wagemans - 2021 - Cognition 212 (C):104698.
    Current theories propose that our sense of curiosity is determined by the learning progress or information gain that our cognitive system expects to make. However, few studies have explicitly tried to quantify subjective information gain and link it to measures of curiosity. Here, we asked people to report their curiosity about the intrinsically engaging perceptual ‘puzzles’ known as Mooney images, and to report on the strength of their aha experience upon revealing the solution image (curiosity relief). We also asked our (...)
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  • A familiar-size Stroop effect in the absence of basic-level recognition.Bria Long & Talia Konkle - 2017 - Cognition 168:234-242.
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  • Looking into the future: An inward bias in aesthetic experience driven only by gaze cues.Yi-Chia Chen, Clara Colombatto & Brian J. Scholl - 2018 - Cognition 176 (C):209-214.
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