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  1. The pleasures of sad music: a systematic review.Matthew E. Sachs, Antonio Damasio & Assal Habibi - 2015 - Frontiers in Human Neuroscience 9:146300.
    Sadness is generally seen as a negative emotion, a response to distressing and adverse situations. In an aesthetic context, however, sadness is often associated with some degree of pleasure, as suggested by the ubiquity and popularity, throughout history, of music, plays, films and paintings with a sad content. Here, we focus on the fact that music regarded as sad is often experienced as pleasurable. Compared to other art forms, music has an exceptional ability to evoke a wide-range of feelings and (...)
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  • Ground-Zero Empiricism.Lorraine Daston - 2021 - Critical Inquiry 47 (S2):S55-S57.
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  • The Role of Musical Attributes in Music-Induced Analgesia: A Preliminary Brief Report.Krzysztof Basiński, Agata Zdun-Ryżewska & Mikołaj Majkowicz - 2018 - Frontiers in Psychology 9.
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  • The Decameron.Giovanni Boccaccio - 2008 - Oxford University Press UK.
    The Decameron was written in the wake of the Black Death, a shattering epidemic which had shaken Florence's confident entrepreneurial society to its core. In a country villa outside the city, ten young noble men and women who have escaped the plague decide to tell each other stories. Boccaccio's skill as a dramatist is masterfully displayed in this virtuoso performance of one hundred tales, vivid portraits of people from all stations in life, with plots which revel in a bewildering variety (...)
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  • The neurochemistry and social flow of singing: bonding and oxytocin.Jason R. Keeler, Edward A. Roth, Brittany L. Neuser, John M. Spitsbergen, Daniel J. M. Waters & John-Mary Vianney - 2015 - Frontiers in Human Neuroscience 9.
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  • The effects of music listening on pain and stress in the daily life of patients with fibromyalgia syndrome.Alexandra Linnemann, Mattes B. Kappert, Susanne Fischer, Johanna M. Doerr, Jana Strahler & Urs M. Nater - 2015 - Frontiers in Human Neuroscience 9.
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  • Sienese Painting After The Black Death: Artistic Pluralism, Politics, And The New Art Market. [REVIEW]Judith Steinhoff - 2008 - Speculum 83 (3):76-764.
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