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  1. Effects of Practice and Experience on the Arcuate Fasciculus: Comparing Singers, Instrumentalists, and Non-Musicians.Gus F. Halwani, Psyche Loui, Theodor Rüber & Gottfried Schlaug - 2011 - Frontiers in Psychology 2.
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  • Brain mechanisms of acoustic communication in humans and nonhuman primates: An evolutionary perspective.Hermann Ackermann, Steffen R. Hage & Wolfram Ziegler - 2014 - Behavioral and Brain Sciences 37 (6):529-546.
    Any account of “what is special about the human brain” (Passingham 2008) must specify the neural basis of our unique ability to produce speech and delineate how these remarkable motor capabilities could have emerged in our hominin ancestors. Clinical data suggest that the basal ganglia provide a platform for the integration of primate-general mechanisms of acoustic communication with the faculty of articulate speech in humans. Furthermore, neurobiological and paleoanthropological data point at a two-stage model of the phylogenetic evolution of this (...)
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  • The capacity for music: What is it, and what’s special about it?Ray Jackendoff & Fred Lerdahl - 2006 - Cognition 100 (1):33-72.
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  • (1 other version)The motor theory of speech perception revised.Alvin M. Liberman & Ignatius G. Mattingly - 1985 - Cognition 21 (1):1-36.
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  • Melody as a primordial legacy from early roots of language.Kathleen Wermke & Werner Mende - 2006 - Behavioral and Brain Sciences 29 (3):300-300.
    The stormy development of vocal production during the first postnatal weeks is generally underestimated. Our longitudinal studies revealed an amazingly fast unfolding and combinatorial complexification of pre-speech melodies. We argue that relying on “melody” could provide for the immature brain a kind of filter to extract life-relevant information from the complex speech stream.
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