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  1. `In every civilized community': Hume on belief and the demise of religion.Timothy M. Costelloe - 2004 - International Journal for Philosophy of Religion 55 (3):171-185.
    This paper considers the claim that Hume washostile to religion and religious belief, andhoped for their demise. Part one examines hisapproach to belief, showing how commentatorstake him to see religious belief asnon-natural. Part two challenges thisconclusion by arguing, first, that Hume'sdistinction between natural and artificialvirtue allows the term ``natural'' to coverreligious belief as well; second, that Humehimself never denies religious belief isnatural, and, third, that he takes religion tobe a necessary part of any flourishing society. The target of Hume's critical (...)
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  • Natural belief and the enigma of Hume.Ronald J. Butler - 1960 - Archiv für Geschichte der Philosophie 42 (1):73-100.
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  • Hume's Theory of Imagination.G. Streminger - 1980 - Hume Studies 6 (2):91-118.
    In lieu of an abstract, here is a brief excerpt of the content:HUME'S THEORY OF IMAGINATION* Historians of philosophy seem increasingly to agree with the view that David Hume is the greatest philosopher ever to have written in English. This high esteem of the Scottish empiricist, however, is a phenomenon of the last decades. As late as 1925 Charles W. Hendel could write "that Hume is no longer a living figure." And Stuart Hampshire reports that in the Oxford of the (...)
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  • Hume's theory of the external world.Henry Habberley Price - 1940 - Westport, Conn.: Greenwood Press.
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  • The Language of Imagination.Alan R. White - 1990 - Cambridge: Blackwell.
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  • Fiction and Illusion in David Hume's Philosophy.Robert Sokolowski - 1968 - Modern Schoolman 45 (3):189-225.
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  • Mindsight: Image, Dream, Meaning.Colin McGinn - 2004 - Cambridge, Mass.: Harvard University Press.
    The guiding thread of this book is the distinction Colin McGinn draws between perception and imagination.
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  • The literary arts in Hume's science of the fancy.Don Garrett - 2003 - Kriterion: Journal of Philosophy 44 (108):161-179.
    Philosophers have long disagreed about whether poetry, drama, and other literary arts are important to philosophy and among those who believe that they are important, explanations of that importance have differed greatly. This paper aims to explain and illustrate some of the reasons why Hume found literature to be an important topic for philosophy and philosophers. Philosophy, he holds, can help to explain general and specific literary phenomena, to ground the science of criticism, and to suggest and justify "principles of (...)
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  • Fictions of Reality in the Age of Hume and Johnson.Leo Damrosch - 1989 - University of Wisconsin Press.
    During the second half of the eighteenth century, the most powerful literary work in Britain was nonfictional: philosophy, history, biography, and political controversy. Leo Damrosch argues that this tendency is no accident; at the beginning of the modern age, writers were consciously aware of the role of cultural fictions, and they sought to ground those fictions in a real world beyond the text. Their political conservatism (often neglected by modern scholars) was an extensively thought out response to a world in (...)
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  • Cognition and commitment in Hume's philosophy.Don Garrett - 1997 - New York: Oxford University Press.
    It is widely believed that Hume often wrote carelessly and contradicted himself, and that no unified, sound philosophy emerges from his writings. Don Garrett demonstrates that such criticisms of Hume are without basis. Offering fresh and trenchant solutions to longstanding problems in Hume studies, Garrett's penetrating analysis also makes clear the continuing relevance of Hume's philosophy.
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  • The World of the Imagination: Sum and Substance.Eva T. H. BRANN - 1991 - Utopian Studies 7 (2):222-224.
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