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  1. (1 other version)Worlds of Wonder: Sensation and the Victorian Scientific Performance.Iwan Rhys Morus - 2010 - Isis 101 (4):806-816.
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  • (1 other version)Science and Government in Victorian England: Lighthouse Illumination and the Board of Trade, 1866-1886.Roy Macleod - 1969 - Isis 60:4-38.
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  • (1 other version)"huxley, Lubbock, And Half A Dozen Others": Professionals And Gentlemen In The Formation Of The X Club, 1851-1864.Ruth Barton - 1998 - Isis 89:410-444.
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  • Faraday, Matter, and Natural Theology—Reflections on an Unpublished Manuscript.T. H. Levere - 1968 - British Journal for the History of Science 4 (2):95-107.
    The publication of L. Pearce Williams's definitive biography of Faraday has led to lively discussion of the influence of Naturphilosophie on Davy and Faraday, and of the role played by Bosco vichean atomism in their scientific development. In a recent article J. Brookes Spencer argued that Boscovich's force law, involving interaction between point atoms independent of surrounding particles, was only compatible with Faraday's view of gravity and not with his views on other forces. This would of course contradict the notion (...)
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  • (1 other version)"Huxley, Lubbock, and Half a Dozen Others": Professionals and Gentlemen in the Formation of the X Club, 1851-1864.Ruth Barton - 1998 - Isis 89 (3):410-444.
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  • (1 other version)Science and Government in Victorian England: Lighthouse Illumination and the Board of Trade, 1866-1886.Roy M. MacLeod - 1969 - Isis 60 (1):5-38.
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  • (1 other version)Science, Providence, and Progress at the Great Exhibition.Geoffrey Cantor - 2012 - Isis 103 (3):439-459.
    ABSTRACT The Great Exhibition of 1851 is generally interpreted as a thoroughly secular event that celebrated progress in science, technology, and industry. In contrast to this perception, however, the exhibition was viewed by many contemporaries as a religious event of considerable importance. Although some religious commentators were highly critical of the exhibition and condemned the display of artifacts in the Crystal Palace as giving succor to materialism, others incorporated science and technology into their religious frameworks. Drawing on sermons, tracts, and (...)
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  • ‘An Influential Set of Chaps’: The X-Club and Royal Society Politics 1864–85.Ruth Barton - 1990 - British Journal for the History of Science 23 (1):53-81.
    ‘Our’ included not only Hooker and Huxley but their fellow-members of the X-Club. ‘Our time’ had been the 1870s and early 1880s. For a five-year period from November 1873 to November 1878 Hooker had been President of the Society, Huxley one of the Secretaries, and fellow X-Club member, William Spottiswoode, the Treasurer. Hooker was followed in the Presidency by Spottiswoode, and on Spottiswoode's death in 1883 Huxley was elected President. During this period other X-Club members—Edward Frankland, John Tyndall, George Busk, (...)
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  • Manufacturing nature: science, technology and Victorian consumer culture.Iwan Rhys Morus - 1996 - British Journal for the History of Science 29 (4):403-434.
    The public place of science and technology in Britain underwent a dramatic change during the first half of the nineteenth century. At the end of the eighteenth century, natural philosophy was still on the whole the province of a relatively small group of aficionados. London possessed only one institution devoted to the pursuit of natural knowledge: the Royal Society. The Royal Society also published what was virtually the only journal dealing exclusively with scientific affairs: the Philosophical Transactions. By 1851, when (...)
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  • (1 other version)Science, Providence, and Progress at the Great Exhibition.Geoffrey Cantor - 2012 - Isis 103 (3):439-459.
    ABSTRACT The Great Exhibition of 1851 is generally interpreted as a thoroughly secular event that celebrated progress in science, technology, and industry. In contrast to this perception, however, the exhibition was viewed by many contemporaries as a religious event of considerable importance. Although some religious commentators were highly critical of the exhibition and condemned the display of artifacts in the Crystal Palace as giving succor to materialism, others incorporated science and technology into their religious frameworks. Drawing on sermons, tracts, and (...)
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  • (1 other version)Worlds of Wonder: Sensation and the Victorian Scientific Performance.Iwan Morus - 2010 - Isis 101:806-816.
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