All commentators on these lines make two assumptions about the first clause, that means ‘sitting in judgement’, ‘punishing’, or the like, that the which is its subject as well as that of is the second in a series of two: the subsequent slaying punishes or sits in judgement on the previous; thus the slaying of Cly taemnestra herself will sit in judgement upon that of Agamemnon, just as that had sat in judgement upon the of Iphigenia. Then opinions differ as (...) to whether is to be taken as the object of both verbs, or of one but not the other. (shrink)

It is generally stated that diaeresis after the first metron, obligatory in recitative dimeters, is not the rule in catalectic dimeters, or paroemiacs. An examination of the material, however, yields the following results. The paroemiacs of Tyrtaeus' consistendy observe metron-diaeresis. Out of a total of 348 recitative paroemiacs in the Attic dramatists, only 34 disregard metron-diaeresis altogether. A further 75 overlap metron-diaeresis by one short syllable . Apparently, the practice with regard to metron-diaeresis is fundamentally the same in paroemiacs as (...) in full dimeters, only the licences are a little more frequent. The poets occasionally take advantage of the interruption in the movement produced by the catalectic colon in order to break away still farther from regular anapaestic rhythm. Aristophanes, in particular, rather likes to round off an anapaestic period with a rattling, and often abusive, polysyllable: Vesp. 326. (shrink)