The introductory chapter, entitled 'The Subject, Method and Scope of this Enquiry,' details how anthropology is to be pursued as a science and advocates the method of participant observation.

This paper provides an interpretation of the term 'anthropology at home'. Anthropology at home is anthropology done in the social context that produced it. The author provides a definition of when an anthropologist counts as doing research in this context.

This paper seeks to clarify the precise sense in which Collingwood's “metaphysics without ontology” is a descriptive metaphysics. It locates Collingwood's metaphysics against the background of Strawson's distinction between descriptive and revisionary metaphysics and then defends it against the claim that Collingwood reduced metaphysics to a form of cultural anthropology. Collingwood's metaphysics is descriptive not because it is some sort of historicised psychology that describes temporally parochial and historically shifting assumptions, but because it is a high level form of conceptual (...) analysis premised on the claim that ontological questions are actually internal ones and that metaphysics, understood as an attempt to answer external questions, is not a possible philosophical enterprise. This non-historicist reading of what it means to take the ontology out of metaphysics has broader implications which go beyond a scholarly debate in so far as it shows that it is possible to maintain objectivity in the absence of strong ontological underpinnings. (shrink)

After Nature is a timely account of fundamental constructs in English kinship at a moment when advances in reproductive technologies are raising questions about the natural basis of kinship relations.

This work combines two early pamphlets by F. H. Bradley , the foremost philosopher of the British Idealist movement. The first essay, published in 1874, deals with the nature of professional history, and foreshadows some of Bradley's later ideas in metaphysics. He argues that history cannot be subjected to scientific scrutiny because it is not directly available to the senses, meaning that all history writing is inevitably subjective. Though not widely discussed at the time of publication, the pamphlet was influential (...) on historian and philosopher R. G. Collingwood. The second pamphlet is Bradley's critique of Henry Sidgwick's The Methods of Ethics. Sidgwick was the first to propose the paradox of hedonism, which is the idea in ethics that pleasure can only be acquired indirectly. Published in 1877, this work is divided into three parts, treating Sidgwick's definitions, arguments, and his view of ethical science. (shrink)