Switch to: Citations

Add references

You must login to add references.
  1. The expression and arousal of emotion in music.Jenefer Robinson - 1994 - Journal of Aesthetics and Art Criticism 52 (1):13-22.
    Download  
     
    Export citation  
     
    Bookmark   21 citations  
  • Considerations in the assessment of heart rate variability in biobehavioral research.Daniel S. Quintana & James A. J. Heathers - 2014 - Frontiers in Psychology 5.
    Download  
     
    Export citation  
     
    Bookmark   11 citations  
  • Music Alone: Philosophical Reflections on the Purely Musical Experience.Roger Scruton - 1994 - Philosophical Quarterly 44 (177):503-518.
    Download  
     
    Export citation  
     
    Bookmark   18 citations  
  • Music Alone: Philosophical Reflections on the Purely Musical Experience.Douglas Dempster - 1991 - Journal of Aesthetics and Art Criticism 49 (4):381-383.
    Download  
     
    Export citation  
     
    Bookmark   7 citations  
  • Music alone: philosophical reflections on the purely musical experience.Peter Kivy - 1990 - Ithaca: Cornell University Press.
    In the Essai sur Vorigine des langues (), Jean-Jacques Rousseau reports on an eighteenth-century curiosity that has, from time to time, fascinated musicians ...
    Download  
     
    Export citation  
     
    Bookmark   40 citations  
  • Influence of trait empathy on the emotion evoked by sad music and on the preference for it.Ai Kawakami & Kenji Katahira - 2015 - Frontiers in Psychology 6.
    Download  
     
    Export citation  
     
    Bookmark   6 citations  
  • Emotional responses to music: The need to consider underlying mechanisms.Patrik N. Juslin & Daniel Västfjäll - 2008 - Behavioral and Brain Sciences 31 (5):559-575.
    Research indicates that people value music primarily because of the emotions it evokes. Yet, the notion of musical emotions remains controversial, and researchers have so far been unable to offer a satisfactory account of such emotions. We argue that the study of musical emotions has suffered from a neglect of underlying mechanisms. Specifically, researchers have studied musical emotions without regard to how they were evoked, or have assumed that the emotions must be based on the mechanism for emotion induction, a (...)
    Download  
     
    Export citation  
     
    Bookmark   115 citations  
  • Is crying a self-soothing behavior?Asmir GraäAnin, Lauren M. Bylsma & Ad J. J. M. Vingerhoets - 2014 - Frontiers in Psychology 5.
    Download  
     
    Export citation  
     
    Bookmark   9 citations  
  • A neurobehavioral model of affiliative bonding: Implications for conceptualizing a human trait of affiliation.Richard A. Depue & Jeannine V. Morrone-Strupinsky - 2005 - Behavioral and Brain Sciences 28 (3):313-350.
    Because little is known about the human trait of affiliation, we provide a novel neurobehavioral model of affiliative bonding. Discussion is organized around processes of reward and memory formation that occur during approach and consummatory phases of affiliation. Appetitive and consummatory reward processes are mediated independently by the activity of the ventral tegmental area (VTA) dopamine (DA)–nucleus accumbens shell (NAS) pathway and the central corticolimbic projections of the u-opiate system of the medial basal arcuate nucleus, respectively, although these two projection (...)
    Download  
     
    Export citation  
     
    Bookmark   30 citations  
  • It's Sad but I Like It: The Neural Dissociation Between Musical Emotions and Liking in Experts and Laypersons.Elvira Brattico, Brigitte Bogert, Vinoo Alluri, Mari Tervaniemi, Tuomas Eerola & Thomas Jacobsen - 2015 - Frontiers in Human Neuroscience 9.
    Download  
     
    Export citation  
     
    Bookmark   7 citations  
  • Music as a source of emotion in film.Annabel J. Cohen - 2011 - In Patrik N. Juslin & John Sloboda (eds.), Handbook of Music and Emotion: Theory, Research, Applications. Oxford University Press.
    Download  
     
    Export citation  
     
    Bookmark   11 citations  
  • Strong experiences with music.Alf Gabrielsson - 2011 - In Patrik N. Juslin & John Sloboda (eds.), Handbook of Music and Emotion: Theory, Research, Applications. Oxford University Press.
    Download  
     
    Export citation  
     
    Bookmark   21 citations