The aim of this article is to adapt Peirce’s semiotics to the study of media and arts. While some Peircean notions are criticized and rejected, constructive ways of understanding Peirce’s ideas are suggested, and a number of new notions, which are intended to highlight crucial aspects of semiosis, are then introduced. All these ideas and notions are systematically related to one another within the frames of a consistent terminology. The article starts with an investigation of Peirce’s three sign constituents and (...) their interrelations: the representamen, the object, and the interpretant. A new approach to the interrelations of these three sign constituents is then suggested and manifested in a distinction between representation and neopresentation. This is followed by a critical discussion of Peirce’s three types of representation—iconicity, indexicality, and symbolicity—and their interrelations, which sets the stage for a presentation of what is referred to as the material and mental representation model. This model aims to illuminate the problematic relation between material and mental facets of signification triggered by media and art products, and other material things and phenomena. (shrink)

Name der Zeitschrift: Semiotica Jahrgang: 2018 Heft: 224 Seiten: 269-293.

Name der Zeitschrift: Semiotica Jahrgang: 2018 Heft: 225 Seiten: 423-446.

This monograph is about the semiotics of lexical signs, and is of particular interest for historical linguists, in particular those interested in etymology. Specialists in linguistic change have long noticed that certain classes of words seem to be in part exempt from regular patterns of sound change, or perhaps more likely to undergo unusual analogical shifts. The problem is far worse for the etymologist, since the lexicon of every language contains some hundreds of semiotically problematic vocables which must, if the (...) etymological dictionaries are ever to be completed, be explained somehow. Always been struck by the sheer capriciousness of etymologies in which some sort of unusual form-meaning relations are involved, the author, with the help of C.S. Peirce, provides answers to crucial questions in his search to make sense of those capricious etymologies. (shrink)