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  1. [Book review] the racial contract. [REVIEW]Charles Mills - 1997 - Social Theory and Practice 25 (1):155-160.
    White supremacy is the unnamed political system that has made the modern world what it is today. You will not find this term in introductory, or even advanced, texts in political theory. A standard undergraduate philosophy course will start off with plato and Aristotle, perhaps say something about Augustine, Aquinas, and Machiavelli, move on to Hobbes, Locke, Mill, and Marx, and then wind up with Rawls and Nozick. It will introduce you to notions of aristocracy, democracy, absolutism, liberalism, representative government, (...)
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  • The ontology of mass art.Noel Carroll - 1997 - Journal of Aesthetics and Art Criticism 55 (2):187-199.
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  • Transparency and twist in narrative fiction film.George Wilson - 2006 - Journal of Aesthetics and Art Criticism 64 (1):81–95.
    George Wilson; Transparency and Twist in Narrative Fiction Film, The Journal of Aesthetics and Art Criticism, Volume 64, Issue 1, 8 March 2005, Pages 81–95, htt.
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  • Spike Lee and the sympathetic racist.Dan Flory - 2006 - Journal of Aesthetics and Art Criticism 64 (1):67–79.
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  • Racial cognition and the ethics of implicit bias.Daniel Kelly & Erica Roedder - 2008 - Philosophy Compass 3 (3):522–540.
    We first describe recent empirical research on racial cognition, particularly work on implicit racial biases that suggests they are widespread, that they can coexist with explicitly avowed anti-racist and tolerant attitudes, and that they influence behavior in a variety of subtle but troubling ways. We then consider a cluster of questions that the existence and character of implicit racial biases raise for moral theory. First, is it morally condemnable to harbor an implicit racial bias? Second, ought each of us to (...)
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  • The impairment of empathy in goodwill whites for african americans.Janine Jones - 2004 - In George Yancy (ed.), What White Looks Like: African-American Philosophers on the Whiteness Question. Routledge.
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  • Cinematic Presupposition, Race, and Epistemological Twist Films.Dan Flory - 2010 - Journal of Aesthetics and Art Criticism 68 (4):379-387.
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