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  1. Spaces Speak, Are You Listening?: Experiencing Aural Architecture.Barry Blesser & Linda-Ruth Salter - 2006 - MIT Press.
    How we experience space by listening: the concepts of aural architecture, with examples ranging from Gothic cathedrals to surround sound home theater. We experience spaces not only by seeing but also by listening. We can navigate a room in the dark, and "hear" the emptiness of a house without furniture. Our experience of music in a concert hall depends on whether we sit in the front row or under the balcony. The unique acoustics of religious spaces acquire symbolic meaning. Social (...)
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  • (2 other versions)The poetics of space.Gaston Bachelard - 1994 - Boston: Beacon Press. Edited by M. Jolas.
    House. From cellar to garret. Significance of the hut -- House and universe -- Drawers, chests and wardrobes -- Nests -- Shells -- Corners -- Miniature -- Intimate immensity -- Dialectics of outside and inside -- Phenomenology of roundness.
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  • Sensed presence as a correlate of sleep paralysis distress, social anxiety and waking state social imagery.Elizaveta Solomonova, Tore Nielsen, Philippe Stenstrom, Valérie Simard, Elena Frantova & Don Donderi - 2008 - Consciousness and Cognition 17 (1):49-63.
    Isolated sleep paralysis is a common parasomnia characterized by an inability to move or speak and often accompanied by hallucinations of a sensed presence nearby. Recent research has linked ISP, and sensed presence more particularly, with social anxiety and other psychopathologies. The present study used a large sample of respondents to an internet questionnaire to test whether these associations are due to a general personality factor, affect distress, which is implicated in nightmare suffering and hypothesized to involve dysfunctional social imagery (...)
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  • Felt presence: Paranoid delusion or hallucinatory social imagery?☆.Tore Nielsen - 2007 - Consciousness and Cognition 16 (4):975-983.
    Cheyne and Girard characterize felt presence during sleep paralysis attacks as a pre-hallucinatory expression of a threat-activated vigilance system. While their results may be consistent with this interpretation, they are nonetheless correlational and do not address a parsimonious alternative explanation. This alternative stipulates that FP is a purely spatial, hallucinatory form of a common cognitive phenomenon—social imagery—that is often, but not necessarily, linked with threat and fear and that may induce distress among susceptible individuals. The occurrence of both fearful and (...)
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  • Music and the Celtic Underworld: From Ireland to Iona.Karen Ralls-Macleod - 2001 - Utopian Studies 12 (1):234-235.
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  • The Art-Work of the Future and Other Works.Richard Wagner & W. Ashton Ellis - 1995 - Journal of Aesthetics and Art Criticism 53 (1):104-104.
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