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  1. The Butterfly, the Mole and the Sage.Robert Elliot Allinson - 2009 - Asian Philosophy 19 (3):213-223.
    Zhuangzi chooses a butterfly as a metaphor for transformation, a sighted creature whose inherent nature contains, and symbolizes, the potential for transformation from a less valued state to a more valued state. If transformation is not to be valued; if, according to a recent article by Jung Lee, 'there is no implication that it is either possible or desirable for the living to awake from their dream', why not tell a story of a mole awakening from a dream? This would (...)
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  • Zhuangzi and the Obsession with Being Right.David B. Wong - 2005 - History of Philosophy Quarterly 22 (2):91 - 107.
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  • Skeptical strategies in the "zhuangzi" and "theaetetus".Lisa Raphals - 1994 - Philosophy East and West 44 (3):501-526.
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  • Zhuangzi and the Nature of Metaphor.Kim-Chong Chong - 2006 - Philosophy East and West 56 (3):370 - 391.
    While it is well known that Zhuangzi uses metaphor extensively, there is much less appreciation of the role that it plays in his thought-a topic that is investigated in this essay. At the same time, this investigation is closely concerned with questions about the nature of metaphor. Comparisons are made between a central metaphorical structure in the Zhuangzi on the one hand and contemporary views of the nature of metaphor by Donald Davidson and by Lakoff and Johnson on the other. (...)
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  • Trying without trying: Toward a taoist phenomenology of truth.Kuang-Ming Wu - 1981 - Journal of Chinese Philosophy 8 (2):143-167.
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  • Non-world-making in Chuang Tzu.Kuang-Ming Wu - 1991 - Journal of Chinese Philosophy 18 (1):37-50.
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  • Dancing at the crucifixion.David L. Hall - 1989 - Philosophy East and West 39 (3):319-325.
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