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  1. Three dimensions of emotion.Harold Schlosberg - 1954 - Psychological Review 61 (2):81-88.
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  • Show and Tell: The Role of Language in Categorizing Facial Expression of Emotion.Debi Roberson, Ljubica Damjanovic & Mariko Kikutani - 2010 - Emotion Review 2 (3):255-260.
    We review evidence that language is involved in the establishment and maintenance of adult categories of facial expressions of emotion. We argue that individual and group differences in facial expression interpretation are too great for a fully specified system of categories to be universal and hardwired. Variations in expression categorization, across individuals and groups, favor a model in which an initial “core” system recognizes only the grouping of positive versus negative emotional expressions. The subsequent development of a rich representational structure (...)
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  • (1 other version)Facial expression megamix: Tests of dimensional and category accounts of emotion recognition.Andrew W. Young, Duncan Rowland, Andrew J. Calder, Nancy L. Etcoff, Anil Seth & David I. Perrett - 1997 - Cognition 63 (3):271-313.
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  • Categorical perception.Stevan Harnad - 2003 - In L. Nadel (ed.), Encyclopedia of Cognitive Science. Nature Publishing Group. pp. 67--4.
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  • Categorical perception of facial expressions.Nancy L. Etcoff & John J. Magee - 1992 - Cognition 44 (3):227-240.
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  • An argument for basic emotions.Paul Ekman - 1992 - Cognition and Emotion 6 (3):169-200.
    Emotions are viewed as having evolved through their adaptive value in dealing with fundamental life-tasks. Each emotion has unique features: signal, physiology, and antecedent events. Each emotion also has characteristics in common with other emotions: rapid onset, short duration, unbidden occurrence, automatic appraisal, and coherence among responses. These shared and unique characteristics are the product of our evolution, and distinguish emotions from other affective phenomena.
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  • Basic emotions, rationality, and folk theory.P. N. Johnson-Laird & Keith Oatley - 1992 - Cognition and Emotion 6 (3-4):201-223.
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  • Visual search of emotional faces: The role of affective content and featural distinctiveness.Manuel G. Calvo & Hipólito Marrero - 2009 - Cognition and Emotion 23 (4):782-806.
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