The 'ethics of deconstruction'? -- Ethical (im)possibilities -- Ethics under erasure -- Ethical experience : a cinematic example.

Toward the end of his life, Derrida complained that he had been ‘read less and less well over almost twenty years, like my religion about which nobody understands anything'. Derrida, ever the trickster and shape-shifter, had outwitted his audience and even his ardent following by declaring himself religious. This seemed to oddly contradict the universal image of Derridean deconstruction as nihilistic, relativistic, subjectivistic and anti-religious. But Derrida disagrees with this impression of his work, claiming that deconstruction has always been affirmative (...) and has always delivered a yes to life. Deconstruction, according to the late Derrida, is a way of doing truth, of keeping things authentic and open to the possibility of transcendence. He wanted to unravel and deconstruct, not to arrive at nothing, but to affirm a sacred reality that he sensed was undeconstructible. This paper is concerned with the ‘other' Derrida that few seem to know. (shrink)

This brings together five pieces written by Jacques Derrida as extended lectures. The most important theme is Derrida's redefinition of speech acts and the 'event' as a particular kind of performative. The effects of globalization and mechanization, along with arising issues, provide a second constellation of themes. The first four essays involve a specific act of speech: the lie, the excuse, perjury and profession. The last two essays continue Derrida's powerful series of meditations on professional and institutional questions. The final (...) essay, 'Psychoanalysis Searches the States of Its Soul', confronts the task facing psychoanalysis today: coming to terms in new ways with worldwide cruelty and accommodating itself to the modern juridical concepts of crime against humanity. The phrase 'without alibi' (alibi, of course, being another speech act) is used throughout the essay as a leitmotif indicating that the responsibility psychoanalysis has to respond to globalization cannot be evaded. (shrink)

This article offers a close reading of Derrida's response to the events of 11 September 2001, in the interview he conducted immediately afterwards with Giovanna Borradori in the text Philosophy in a Time of Terror (2003). I argue that this text is significantly different from previous philosophical responses to horrific political events (such as those by Walter Benjamin, Theodor Adorno and Hannah Arendt) insofar as it invites us to contest radically the assumption that philosophy's role is to envision and to (...) realize the `good'. Instead, Derrida's response provokes us to acknowledge that philosophy's role was only ever to criticize itself, that this is the absolute limit of what philosophy can or should do, and that this work is both genuinely risky and crucially important, because in undertaking a critique of itself philosophy intervenes for democracy, without rules or guarantees, in the very determinations that are the material of political life. Key Words: 9/11 • Theodor Adorno • critique • deconstruction • democracy • Jacques Derrida • futurity • philosophy • terror • to-come. (shrink)

This question leads the book across the geopolitical and technoscientific space in which the deafening disavowal of Marx is being proclaimed today.

This long-awaited book sets out the implications of Habermas's theory of communicative action for moral theory. "Discourse ethics" attempts to reconstruct a moral point of view from which normative claims can be impartially judged. The theory of justice it develops replaces Kant's categorical imperative with a procedure of justification based on reasoned agreement among participants in practical discourse.Habermas connects communicative ethics to the theory of social action via an examination of research in the social psychology of moral and interpersonal development. (...) He aims to show that our basic moral intuitions spring from something deeper and more universal than contingent features of our tradition, namely from normative presuppositions of social interaction that belong to the repertoire of competent agents in any society. Jürgen Habermas is Professor of Philosophy at the University of Frankfurt. (shrink)

In this essay and the next, on Foucault, Derrida reencounters two thinkers to whom he had earlier devoted important essays, which precipitated stormy discussions and numerous divisions within the intellectual milieus influenced by their ...

For Derrida, the ‘‘as if’’, as a regulative principle directly appropriated and modified from its Kantian context, becomes the central lynchpin for understanding, not only Derrida's philosophical system as a whole, but also his numerous seemingly enigmatic references to his ‘‘jewishness’’. Through an analysis of the function of the ‘‘as if’’ within the history of thought, from Greek tragedy to the poetry of Wallace Stevens, I hope to show how Derrida can only appropriate his Judaic roots as an act of (...) mourning that seeks to render the lost object as present, ‘‘as if’’ it were incorporated by the subject for whom this act nevertheless remains an impossibility. As Derrida discerns within the poetry of Paul Celan, bringing a sense of presence/presentness to our experiences, and as a confirmation of the subject which the human being struggles to assert, is the poetic task par excellence. It is seemingly also, if Derrida is to be understood on this point, the only option left to a humanity wherein poetry comes to express what religious formulations can no longer justify. (shrink)