In this age of DNA computers and artificial intelligence, information is becoming disembodied even as the "bodies" that once carried it vanish into virtuality. While some marvel at these changes, envisioning consciousness downloaded into a computer or humans "beamed" _Star Trek_-style, others view them with horror, seeing monsters brooding in the machines. In _How We Became Posthuman,_ N. Katherine Hayles separates hype from fact, investigating the fate of embodiment in an information age. Hayles relates three interwoven stories: how information lost (...) its body, that is, how it came to be conceptualized as an entity separate from the material forms that carry it; the cultural and technological construction of the cyborg; and the dismantling of the liberal humanist "subject" in cybernetic discourse, along with the emergence of the "posthuman." Ranging widely across the history of technology, cultural studies, and literary criticism, Hayles shows what had to be erased, forgotten, and elided to conceive of information as a disembodied entity. Thus she moves from the post-World War II Macy Conferences on cybernetics to the 1952 novel _Limbo_ by cybernetics aficionado Bernard Wolfe; from the concept of self-making to Philip K. Dick's literary explorations of hallucination and reality; and from artificial life to postmodern novels exploring the implications of seeing humans as cybernetic systems. Although becoming posthuman can be nightmarish, Hayles shows how it can also be liberating. From the birth of cybernetics to artificial life, _How We Became Posthuman_ provides an indispensable account of how we arrived in our virtual age, and of where we might go from here. (shrink)

This book argues against the widely celebrated utopia of -transparency- by showing, across a panorama of postwar French thought, how attempts to show the perils of transparency in politics, ethics, and knowledge led to major conceptual inventions, many of which we now take for granted.

This article re-examines some of the principal concepts of cybernetics — control, communication, feedback — and its preoccupation with the ‘coupling’ of human and machine in an increasingly automated world. Historically, the rise of cybernetics coincides with the so-called Space Age, where the kind of computerized control systems theorized in cybernetics were essential to the guidance and operation of the complex machinery required to place humans and machines in space. Taking the Apollo programme as a paradigmatic case of accelerated technological (...) evolution, the article looks at aspects of the human-machine relationship in Apollo and more specifically at the modes of interface — ‘analogue’ and ‘digital’ — which mediated that relationship. Despite a certain humanism of control which posits the human agent as the ultimate instance of perception, decision and action, it is argued that the evolutionary tendency detectable in the Apollo programme is towards the progressive marginalization, or ‘redundancy’, of the human agent. (shrink)